![]() Watching the conductor and the musicians is a secondary show available only to those in the front row. Row A is actually about 25 feet from the stage, with the orchestra pit in between. "The disadvantage is you can't quite see the corps as a unit, but you get to see the dancers' expressions." says front-and-center seater Marge Burnett of Atherton. At $560 a seat for the Orchestra plus a preferred-seat premium of $300 for a season subscription of eight performances, most patrons are loyal to one seat. "I can see the patterns, the geometry." But he is extreme, even for a balletomane. "Upstairs I get the perspective," says Delfs, who comes up from the Peninsula. To study the company from both low and high, Delfs sits two nights in front, moves to the balcony for a third night and can be found in standing-room on a fourth. "Sometimes they look at each other and smile," Tabari says, "so you know something went wrong." Leela Tabari, down the row, says she can "see the muscles moving," and the tiny facial hints that reveal what body movement hides. Richard Delfs also wants to "hear the heavy breathing, and when a dancer runs into another, I can hear them say, 'Sorry,' " he says. ![]() "They want to feel the sweat on them."ĭr. "They're nuts," says San Francisco Ballet Master Ashley Wheater, a former company dancer. ![]() The view sacrifices the big picture for human detail. Front row at the Ballet is like courtside at a basketball game or next to the dugout for baseball. But the people in row A are not conventional fans. Conventional wisdom is that the front of the balcony, where the Kirschbaums used to sit, offers the best view.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
June 2023
Categories |